For the Content Hungry: The Eat Media Blog

Archive for the ‘Customer Experience’ category

Any Merit in The Real World

By Ian Alexander   /   May 21, 2012   /   More Quotes

In a few short years company culture will be a required priority. You will need to do good, be profitable and operate nimbly in order to be successful.

 

My mission as an EIR at Google Ventures was to ask these questions and find answers to them. There isn’t always a good solution or a business to be made, but with our team of nimble, talented and scrappy developers and designer, we can quickly build a first version and test if it has any merit in the real world. When ideas gain traction, we can allocate even more resources and eventually launch them as their own companies. If they don’t, we’ll quickly scrap them, take what we’ve learned from the process, and apply it to our next effort in answering “why do I have to…”

 

From Firespotter Labs Blog

 

-Ian

Now Serving: Customers and Business Goals

By Ian Alexander   /   May 21, 2012

Whatever your business is, you exist to service two groups:

-The customer

-The business

To make the customer happy you must

Make the experience of finding, researching, purchasing, using, fixing, upgrading and explaining your product amazing.

 

To make the business happy you must

Create a culture that inspires top talent to join. Push for action over politics. Establish an infrastructure that can pivot quickly. Push marketing dollars to product/service improvement dollars.

 

 

—Ian

Introducing Tunedon.es — Music for web professionals to _____to

By Ian Alexander   /   March 2, 2012

Tuned Ones

Tunedon.es is a music discovery site focused on linking music to web design activities. Why web design and not every kind of activity you ask – we’re not sure, it just feels right – for now.

The last few years we’ve seen an explosion in music discovery sites. Pandora, Last.fm, Ex.fm, Grooveshark, Spotify, Rdio, thesixtyone and many others. Most of those services operate on the premise of channels and you selecting a band which leads you to some other bands like those bands and genres like those genres and comments tacked on for good measure. I’ve found some great music on these sites but none explore the relationship between what you are doing and what you are listening to. Recommendations and thumbs-up lack the excitement of finding something new. New like when your best friend says, “Why weren’t you at the Gallery East last night. This band Minor Threat played with SSD Control. It was life changing.”- And then you hear the band and it does change your life. The stories behind music discover sometimes changes lives and leads people towards a more independent and creative life – it did for us.

The Science of Music
There is solid science linking music types to music activities and cognitive development. For instance low-information load music (repetitive, major key – like dub) significantly improved test scores when compared to both silence and high-information load music (jazz or baroque.)[Kiger] — This makes it a great music type for wireframing. If you are a copywriter and fancy listening to Jay-Z, keep this in mind: People listening to music with lyrics tend to make significantly more mistakes than instrumental music. [Saleme and Baddeley] Science aside, we like what we like and whether we work at home or at an agency, there’s probably some music being played.

The Web Crowd
We creatives seek continuous inspiration. We admire, worship, borrow and steal from one another in order to create. We rearrange our offices and rent new lofts because the energy needs refreshing. We are affected by our surroundings and seek to shape our workplaces to optimize for inspiration. Tunedon.es seeks to mix a little science, a little community and influential stories to create a unique music discovery service. (So, yes it’s a bit more than a few dropdowns.)

When you explore inspiration in the context of community, you get not only to see what influences the creative decisions of others but also explore the mechanics of how others bring their inspiration to life. This can be valuable in helping you fine new methods of approaching your own work,” Todd Henry, The Accidental Creative.

“…the best work we accomplish is frequently a result of being inspired by someone else,” Todd Henry, The Accidental Creative.

 

Sign up for an invite

Follow Tunedones on Twitter
Email me with any thoughts or comments.

Steve Jobs Insult Response

By Ian Alexander   /   February 29, 2012   /   More Video

You Have My Email, Now What

By Ian Alexander   /   February 16, 2012

The email address is the holy grail of digital access and you’ve got it, somehow. What you choose to do with it is an entirely different ball game.  A small portion of the email communications I receive are excellent, some of it is fair to middling but the majority of it is just plain awful. Many of these communications are sent to me blindly (see Buy-Now-Viagra!!!) others were initiated by something I signed up for somewhere down the line (Twylah) while other email updates I expect like (Chromium) or  (Registration/Sales receipts) and finally there are the communications I look forward to receiving (Smashing Magazine Newsletter). In all the above cases your key to my inbox is the possession of ian@eatmedia.net. Here are 4 email communication questions I encourage you to think about before hitting send/post.

 

1. Who are you again and how did you get my email?

When I receive an email the assumption is that it was sent to me, and only me. If a message is sent to a prospective customer and it feels like it was sent to a million other people your intent gets slippery and the angle of repose increases. This sits in stark contrast to a billboard or TV advertisement, which I know is broadcast to a zillion other people. Despite the knowledge that I am not “the one” these emotional-contextually ads feel even more impressive when they work. The biggest difference between TV/Billboard and an email-initiated communication is audience focus and location. It’s my inbox, my email address and in-turn some permission-based respect is expected when you contact me.

 

Ways you got my email:

-You scraped my email or bought a list. [You're playing a numbers game hoping that 1 in 100,000 people will respond.]

-I gave you my email address and you took that as a license to communicate with me about everything. [You're hoping I'll I remember why I signed up and keep your brand in my thoughts just in case.]

-You inconsistently send out updates in a voice that assumes I’ve been keeping track of your every move. [You're posturing.]

-I “traded” my email address in exchange for specific content. [Whitepaper download.]

-I gave you my email address because I am genuinely interested in your brand, service or product. [Basis watch.]

 

2. Are you communicating to me or to 1,000,000 “me’s”?

Communicating with me via email is either very easy or very difficult depending your goal(s). “Communication requires a sender, a message, and an intended recipient.” It’s the “intended recipient” part that is often misunderstood or ignored. On one hand, every communication cannot be 100% customized — entirely impractical. On the other hand, FIRST_NAME in a MySQL database is not indicative of an “intended recipient.” The trick/craft lies in making me feel like the email was sent to either:

Me only.

Success details: You know why I gave you my email to in the first place. Are aware of any support tickets, demos and purchases, etc. As well as where I am in your buying/attention cycle.

Other people like me.

Success details: You make me feel like I am part of a tribe of smart, informed people. 

People I want to emulate or be aligned with.

Success details: You make me feel like I am behind the scenes with the cool kids. Privy to trends, behaviors and events that I wouldn’t otherwise know about.

3. Is the content relevant?

“Why are you sending me this?” — Not the reaction you want from people receiving your email communications. While I’ve recently shied away from the concept of “building trust to knowingly exploit it for a sale later”, there is something to be said for being interested in your customers and being consistent with your relationship with them. Analytics are the equivalent of “How have you been?” Content is only relevant when you put the needs of your customers ahead of your needs to contact them.

Post-purchase

This is a generally accepted and expected communication practice.

Service/Activity related

In this form of communication I’ve opted in to be notified when something happens on your system or my account.

Consistency

Another type of opt-in communication that works if and when it is consistent. Newsletters, surveys and something else here

Special/News

Slippery slope here that is too often “special” and “new” to the sender but not the recipient. Works when it is calendar conscious, industry conscious and in turn targeted.

4. Is the content presented well?

There is no such thing as utility content. Any communication with your customers, or prospective customers, is a showcase of  your writing and design skillsets. Design exists to communicate. And if you don’t have the time or talent to properly design your content, don’t be surprised when it: Raises more questions than it answers, is ignored, or entirely turns people off. Attention to detail is what separates a Ferrari from a Ford Focus.

Copywriting

It is more than information on a page. It is a commitment to understand how your customers, constituents and friends want to be spoken to. (+ best-practices)

Design

There is life beyond Verdana and Arial and starbursts.

Information Hierarchy

EVERYTHING PIECE OF INFORMATION CANNOT HAVE THE SAME WEIGHT AND PRIORITY 

CTA

What do you want people to do with the information you are providing to them? Is this clear and engaging? 

-Ian

Three Brand Experiences and the Commitment To Becoming Amazing

By Ian Alexander   /   December 4, 2011

As a customer I’ve often stated, sometimes out loud and littered with expletives, “Why did they treat me like that?”  As an agency owner I get to ask the more interesting question – “How did they treat me like that.” Interactions with brands, online or in-person, should always exceed the vending machine experience of -put money in-take product out-go home. But often that is exactly the experience we get.

 

I’ve come to believe there are only 3 types of brand experiences:

1- Exceptional experiences you tell people about. – Mailchimp

2- Terrible experiences you tell more people about. – FatCow

3- Average experiences you forget about. – Exxon gas station

I recently interacted with the following brands and I believe that a content-first strategy would help all these brands.

 

Exceptional Experiences:

Roku – So much untapped potential here.

Warby Parker – An A+ experience that is so good they could do much better.

 

Terrible Experiences:

Shoebacca – A favorite site that fails me over and over and over.

Adobe – How do you fail me? Let me count the ways.

 

Forgettable Experiences:

USPS – I need to mail a letter. Mailed it. Zzzzzzzzzz.

SurveyMonkey – If you’re going to do one thing well, do it really, really, really well.

 

If you are a decision maker at any of the above brands I’d be happy to help you commit to being amazing.

 

-Ian